Speaking of bird-watching and poetry, I've noticed that bird-watchers, at least on the few Indian bird-watching lists I subscribe to, adore ornate, flowery, Victorian-sounding prose. They applaud it when they see it in other people's reports, and do their best to put it in their own.
I came across a quotation from Nissim Ezekiel's poem, "Poet, Lover, Birdwatcher" in a book, and the title was so interesting that I just had to look it up. I found it in the minstrels archive, and it's such an intriguing poem that I'm quoting all twenty lines here.
Poet, Lover, BirdwatcherTo force the pace and never to be still
Is not the way of those who study birds
Or women. The best poets wait for words.
The hunt is not an exercise of will
But patient love relaxing on a hill
To note the movement of a timid wing;
Until the one who knows that she is loved
No longer waits but risks surrendering—
In this the poet finds his moral proved
Who never spoke before his spirit moved.The slow movement seems, somehow, to say much more.
To watch the rarer birds, you have to go
Along deserted lanes and where the rivers flow
In silence near the source, or by a shore
Remote and thorny like the heart's dark floor.
And there the women slowly turn around,
Not only flesh and bone but myths of light
With darkness at the core, and sense is found
But poets lost in crooked, restless flight,
The deaf can hear, the blind recover sight.— Nissim Ezekiel
I have read
some other
poems by Nissim Ezekiel (one was a part of my high school English
curriculum), but I can't remember another one that made me sit up and
pay attention. I love the idea of tying poetry, love, and bird-watching
together through the patience and caring that each requires; and I love
the unhurried, graceful way the poem segues between each activity and
the feelings it evokes. I think the ending is a bit forced (did anyone
mop the heart's dark floor
or were they too busy eyeing up
the slowly turning women?), and detracts from the light tone established
by the first stanza. I notice, too, that poetry, love, and bird-watching
are presented as implicitly male pursuits.
Myths of light with darkness at the core
? Not so much. But
patient love relaxing on a hill is a different feeling, one that I can
recognise and will remember.
What does this mean?
, asked Hassath, pointing to «La
Hora de los Hornos» in an article about documentary films.
The hour of the… something.
Furnaces?
My recent comment on names which mean the same thing in different languages reminded me of something slightly different: generic and specific names that mean the same thing; one in Greek, the other in Latin.
The Common Raven Corvus corax, revered in ancient cultures around the world, bears its own name in both languages, Corvus being the Latin name for the Raven, and corax likewise the name in Greek (even the name "Raven" comes from an ancient Proto-Germanic name applied to the bird). The related Carrion Crow Corvus corone and Hooded Crow Corvus cornix both take their specific names from Greek words for "crow". All three names were assigned by Linnaeus in 1758.
The Slender-Billed Scimitar Babbler Xiphirhynchus superciliaris has always felt somewhat mystical while flipping through the Babblers in any field guide. I've never seen one, but the photographs posted to the delhibirdpix list by Sujan Chatterjee in May 2008 and Ramki Sreenivasan a year later, both taken in Arunachal Pradesh, have stayed in my memory.
Unfortunately, I can find only one of these photographs on Google Groups now, and I can't figure out any sane way to link to that post here. But Google Images finds many photos of the species, including Sujan's photo.
Anyway, Xiphirhynchus superciliaris was somewhere at the back of my mind when I recently encountered a casual reference to the unrelated South American genus of Woodcreepers: Xiphorhynchus. These are essentially the same word, derived from the Greek xiph- (for "sword") and -rhynchus ("snout" or "nose", meaning beak)!
Why do the Yellow-footed Green Pigeon and the genus of Flamingos share the name Phoenicopterus?
